Alun Lewis (1915-1944) was the most prominent writer of World War Two, in poetry and short fiction. Raiders? Dawn (1942), answered the critics? questions about the absence of war poets in that conflict, and his story collection The Last Inspection (1943) was a best selling revelation of the ?Phoney War? in Britain and service life in India. A posthumously published collection of poems, Ha! Ha! Among the Trumpets (1945) showed a move towards the spiritual.

Lewis was born in the industrial valleys of south Wales, near Aberdare, and grew up during the deep poverty of the depression. This, and his family background, made him a confirmed socialist and a pacifist, which presented him with a particular dilemma when the war began in 1939. The need to defeat fascism proved overwhelming and Lewis left his teaching job and volunteered as a private in the Royal Engineers. His attempt to play a non-combatant role in the ranks was the beginning of an arc of promotion which ended yards from enemy lines in Burma, as a regimental intelligence officer.

Set against that background of industrial poverty and war Alun, Gweno & Freda is an account of Lewis?s life and his writing, through the particular prism of his relationships with his wife, Gweno, and with Freda Aykroyd, an expatriate in India whose house provided respite for British officers on leave. The book argues that Lewis?s charged relationships with these two women were the key to both his writing and his mental health. It also explores the circumstances surrounding Lewis? death by a single shot from his own gun and contributes to the ongoing debate about whether this was an accident or suicide.

In addition to illuminating the life and writing of Alun Lewis, the book also sheds light on the art of biography. It tells the story of its own creation: the author?s researches into Lewis, his dealings with Lewis?s family, his wife, Freda Aykroyd, the regiment. The book includes generous quotation from both Lewis?s work and Pikoulis?s correspondence and meetings with the main players as he negotiates the difficult terrain of personal memory and public exposition.